标签归档 2021苏州新茶论坛

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The first Geely Galaxy L7 rolled off the production line at Geely Baoji factory

On April 24, the first mass-produced Geely Galaxy L7 was officially rolled off the production line at Geely Automobile’s Baoji factory. Baoji Mayor Wang Yong, Baoji Vice Mayor Ding Shengren, Geely Holding Group Senior Vice President Mao Yong and other government and enterprise representatives, as well as user guests, witnessed this historic moment. The launch of Geely Galaxy L7 off the production line marked a new step for Geely’s brand "comprehensive renewal", and at the same time opened a new chapter in Baoji’s new energy automobile industry.

In 2013, Geely Automobile Baoji Intelligent Factory officially landed in Baoji National High-tech Development Zone, with a total construction area of 400,000 square meters. It has four main process rooms including stamping, welding, painting and final assembly. It has a production scale of 200,000 vehicles per year in double shifts. Since the fourth quarter of 2016, the Baoji factory of Geely Automobile has delivered 840,000 vehicles to users. With highly automated equipment technology, strict technical Quality Standards, advanced AI intelligent testing methods and the whole process competitiveness quality management system, it has become the benchmark for product quality management of Geely Automobile Group.

Baoji is the birthplace of Zhou and Qin civilizations and the hometown of Chinese bronzes. It has a profound historical and cultural heritage and the genes of craftsmen in a big country. A complete industrial foundation, a systematic team of skilled workers, and a craftsman manufacturing spirit from ancient times to the present have made high-quality "Baoji Manufacturing" products famous at home and abroad, and the development of the automobile industry has unique advantages. Under the guidance of the "double carbon" goal, Shaanxi Province has thoroughly implemented the new development concept. Baoji Municipal Party Committee and relevant departments of the Municipal Government seized the opportunity to cooperate with Geely Automobile to jointly promote the transformation of the automobile industry to green, low-carbon, and intelligent manufacturing. Especially since 2022, with the strong support of the municipal party committee and municipal government, Baoji Smart Factory has undergone innovation and upgrading, and built a 4.0 factory with "technology intelligent manufacturing, process leadership" full-cycle AI intelligent control, to fully escort the excellent quality of Geely Galaxy L7 with ingenuity. Next, Geely Automobile and Baoji will continue to cooperate in depth on the new energy and intelligent track, and work together to promote the "Silk Road Car City" to continue to lead the new era of dual carbon.

It is reported that since the successful landing of the Geely Baoji Smart Factory project in 2013, it has attracted more than 40 automobile core parts supporting enterprises to gather. The annual output value of the factory has exceeded 70 billion yuan, and the radiation has created an industrial effect of nearly 100 billion yuan. It has become a well-deserved "leader" of Baoji’s automobile and parts industry. It has not only effectively promoted the development of Baoji and even the western region’s automobile industry, but also become a powerful engine for the economic growth of Baoji’s industry. The offline production of "Geely Galaxy L7" in Baoji Smart Factory will further open a new era of Baoji’s new energy automobile industry. At the same time, it will also help Geely Galaxy to accelerate its entry into the mainstream new energy market and open up a new situation for the Geely brand.

Mao Yong, senior vice president of Geely Holding Group, said that over the past ten years, Geely Automobile and Baoji have weathered trials and tribulations, weathered each other in the same boat, and written a turbulent chapter in the development of the national automobile industry with one high-quality product. Embracing the new era of the automobile industry, Geely will continue to continue and inherit the spiritual root and dream of "Chinese craftsman", continuously lay the foundation, practice internal skills, adhere to positive research and development, enhance technological innovation capabilities, and join hands with the government to create a better future with scientific and technological intelligence, and continue to promote the continuous upward and new development of national automobiles.

Ding Shengren, deputy mayor of Baoji City, said that the launch of Geely Galaxy L7 fully reflects Geely Automobile Group’s emphasis on Baoji Smart Factory and confidence in Baoji’s automobile industry. It will drive the development of Baoji’s automobile industry to a new height. I believe that with the blessing of Baoji’s "Silk Road Car City" business card, Geely Galaxy L7 will live up to expectations and lead the future. The two sides will also take this as a starting point to further deepen cooperation and contribute to the development of the automobile industry in the province and even the whole country.

Geely Galaxy L7, as an A-class intelligent electric hybrid SUV, is positioned within 200,000 yuan, and is expected to deliver a new car in the second quarter of this year. Geely Galaxy L7 is based on the e-CMA architecture and has opened reservations last month. The first 10,000 users can enjoy a deposit of 599 to 5999 yuan and priority pickup and other benefits. The Galaxy L7 reservation channel was closed on April 22, with blind orders exceeding 10,000 vehicles.

Geely Galaxy L7 is equipped with a series of Geely Automobile self-developed technologies such as the new generation of Raytheon electric hybrid technology, the new operating system Galaxy N OS and the Aegis battery safety system. It has five core advantages: "inductance modeling, power saving mixing, second understanding of the car and machine, pet co-pilot, and native safety". It has the fastest 6.9s 100-kilometer acceleration in the same level, and the lowest 5.23L/100km power loss fuel consumption in the WLTC level (NEDC 4.4L/100km). CLTC has a comprehensive battery life of 1370km. The length, width and height of Geely Galaxy L7 are 4700mm, 1905mm, and 1685mm respectively, and the wheelbase is 2785mm. Geely Galaxy L7 uses a 1.2mm thick ultra-high-strength steel lower shield for bottom protection, with a tensile strength of 1200MPA. The front end of the frame also adds a battery scratch-proof beam. This design is also unique in the industry. The purpose of this is to avoid damage to the battery due to bottom scratches. After the new car is launched, it may compete with the BYD Song PLUS DM-i.

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Hu Ge joined the most beautiful performance for the second time: the actor is most afraid of the state

Hu Ge

Interview with Hu Ge

       "The Most Beautiful Performance" meets Hu Ge again, four years later.

  In 2015, several major dramas such as "The Pretender", "Langya Bang" and "Good Times" put him in the spotlight. That year, Hu Ge played a boxer in the "Best Performance" short film "Intermission", and went through a month-long fitness preparation for filming.

  In 2019, the 37-year-old Hu Ge switched to the film industry, starring in the film "The Wild Goose Lake", which was shortlisted for the main competition of this year’s Cannes Film Festival.

  Many people believe that acting in costume idol dramas in their 20s attracts countless fans; after the age of 35, they become movie actors, and their first films can be shortlisted for Cannes. Hu Ge’s transformation has been very successful.

  And Hu Ge himself said that whether it succeeds or not remains to be tested by the audience after the release of "The Wild Goose Lake", but at least he has taken that step.

  This year, he joined the most beautiful performance again. Hu Ge collaborated with director Diao Yinan for the second time to stage the extra part of "The Wild Goose Lake", and one person played the triangle.

  The short film went through 8 hours of pre-scheduling preparation. According to director Diao Yinan, because it was a one-shot shooting, no mistakes could be made in all aspects. All the staff were nervous, and Hu Ge was the most relaxed one on the set.

  This kind of ease and comfort is also the feeling Hu Ge gave us. Today, he is open to the transformation of male artists, fan fundraising, film and television winter and other topics, and has also contributed a lot of golden sentences.

  Chat with Diao Yinan in the background of Double 11 about the script

  Sina Entertainment: This time, one person plays the triangle. Which role are you most looking forward to?

  Hu Ge: I treat all the roles I will play and have played equally, with no favorite or least favorite.

  Sina Entertainment: Did you have any particular urge to act when you saw the script?

  Hu Ge: Of course, because first of all it still has some relevance to our movie "The Wild Goose Lake". Then two new people were added, which didn’t seem to have much to do with the movie.

  Sina Entertainment: So the character of the fugitive is Zhou Zenong, right?

  Hu Ge: Yeah.

  Sina Entertainment: This time I played a fugitive again, and I worked with director Diao Yinan again. Did it remind you of the filming of "The Wild Goose Lake" at that time?

  Hu Ge: I don’t have to imagine it. When I got to that scene later, I thought I would go back. Because it was a big night again, we basically had more than 70% to 80% of the scenes were night scenes.

  Sina Entertainment: How does it feel to work with director Diao Yinan?

  Hu Ge: He is a very pure artistic film director. Working with him, my biggest feeling is that I can forget everything and let it go. Although I have been working with him for more than half a year, although there has been a lot of suffering and pressure, looking back now, I feel that every minute and every second is very memorable for me.

  Sina Entertainment: Did you have any discussions and preparations with him in advance about this script?

  Hu Ge: Yes, we had some discussions on the details of the script characters’ creation in the background of Double 11, including styling. When we set our makeup two days ago, we re-determined the tone of today’s performances of different characters.

  Sina Entertainment: What’s your understanding of this script?

  Hu Ge: I think it is equivalent to showing a certain scene in our movie, a condensed version of a bridge, on the most beautiful performance of Sina. Of course, on the basis of the original, some new content has also been filled, expanded and imagined.

  Sina Entertainment: After reading the script, do you think the biggest challenge is the presentation of long shots?

  Hu Ge: Indeed, the biggest difficulty for this part of me today lies in the operation of the long-shot technology, including the fact that I have to play three roles on this occasion, which is also very difficult.

  Sina Entertainment: Have you had such relevant experience before?

  Hu Ge: No. But there may be more forms of this in stage plays. For example, in stage plays, I play the role one minute, and then I quickly step down and change clothes, and then I come on stage to play another role. It is often seen on stage. But it is very rare in film and television dramas.

  Sina Entertainment: So in the short film, you also need to change clothes very quickly.

  Hu Ge: Yes, so when we set makeup, we actually have a lot of early design in technology, how can we go from clothing to makeup to styling in the fastest time?

  A good actor can go to the sky as well as the earth

  Sina Entertainment: In fact, this is also the second time that Mr. Hu Ge has participated in our most beautiful performance. The last time was in 2015. Do you remember the situation at that time? What’s new this time?

  Hu Ge: I understand that the most beautiful performance of Sina is a stage for breakthroughs and challenges. The last role I played was also very far away from me, and for that performance, I also prepared for more than a month. At that time, I had to meet the director’s requirements to play a boxer. In more than a month, I built muscle and increased circumference. Although the time is short, I think whether it is a second or an hour, it should be remembered by the audience.

  After 4 years, has your understanding of the words most beautiful performance changed?

  Hu Ge: Last time, I also wrote down my understanding of the most beautiful performance on paper very carefully. This time, of course, I am also very serious. I am not lazy, but I did not write a word. I think it is difficult to define the performance in words, especially the most beautiful performance.

  Sina Entertainment: So which play or moment brought you this change in thinking?

  Hu Ge: It may be a feeling brought to me by so many years or so many characters and works. I feel that there is no standard for performance itself, and there is no standard for good or bad.

  Sina Entertainment: What do you think is your most beautiful performance moment so far?

  Hu Ge: When I’m not acting in life, I think it should be the most beautiful. You see, I just said that I can’t define it in words, I’ll define it casually now.

  Sina Entertainment: Looking back on your long experience in the industry, what stages do you think your performance has gone through?

  Hu Ge: It’s hard for me to summarize myself. Generally speaking, I used to be desperately learning tricks and routines, but now I’m desperately trying to hide these tricks and routines.

  Sina Entertainment: What do you think is the key to being a good actor?

  Hu Ge: If you can go to the sky, you can also go to the earth. Just when you are in the sky, don’t forget that you still have two legs. You can still come back and walk. Don’t forget that you have legs when you are in the sky.

  Fans’ love should not be measured by the amount of funds raised

  What do you think was the most beautiful moment in "The Wild Goose Lake"?

  Hu Ge: After the movie is released, I will tell everyone that there are no spoilers, and the mystery must be kept until December 6th.

  Sina Entertainment: What are your current expectations for this drama?

  Hu Ge: I hope its performance can be worthy of everyone’s efforts, I mean the performance of the market.

  Sina Entertainment: But you said some time ago that you don’t need fans to raise funds to support the box office.

  Hu Ge: You may have some misunderstandings about my last comment. I’m not saying that you can’t buy tickets to support it. In fact, it’s impossible. I agree with everyone buying tickets to watch my movie or booking a group to watch the movie.

  I don’t always agree with measuring or judging whether he is a senior fan or whether he is an excellent fan by the amount of fan funding. I think this is a completely wrong standard, so I don’t really want to see these things happen. Sina Entertainment: During your growth process, how did the relationship between fans and you change?

  Hu Ge: I just celebrated the 15th anniversary of the establishment of the official website some time ago, and they have always been my motivation. I know their intentions are for my own good, so I am also very grateful. I used to say that I and my fans are like friends who don’t meet each other, and we have each other in our hearts. But maybe we met on the road, but we don’t know each other. It’s such a relationship.

  I should play a role in guiding them correctly.

  Sina Entertainment: In fact, it has become an industry phenomenon for fans to raise funds to support movies or buy endorsements. Do you think this way of fans helping idols help their careers is advisable?

  Hu Ge: I am not qualified to comment on the fans of other artists. Everyone’s intentions are good, and they are all for the better development of their favorite artists in their careers. But at the level of execution and operation, everyone may have different ideas. According to my understanding and standards, I don’t want my fans to do such things.

  I found the motivation to continue in the movie

  Sina Entertainment: In the past two years, you have also participated in the shooting of some films and cooperated with some excellent directors. What do you think is your greatest achievement in these two years?

  Hu Ge: Let me find the motivation to continue acting and the courage to return to life completely. In fact, what I think I am most afraid of is a state of being unable to rise. It is like a fallen leaf that is red, but it also falls. It floats in the wind, but it has no vitality.

  Sina Entertainment: What does this mean? Does it mean that actors must transition at the age of 30 and 35?

  Hu Ge: I mean creativity and artistic vitality. For example, if a leaf is red, it will fall off. For most people, they will be afraid and anxious. They always don’t want it to fall off, but you have to think about it falling and withering, it will rot in the soil again, and it can have new life.

  Sina Entertainment: When did you lose your creative drive?

  Hu Ge: There are often such things. Not just after the age of 30 or 35, but actually when I was in my 20s, I was thinking about this issue. Because once you are characterized as a certain type of actor, or when you are imprisoned in a certain type of film and television work, it is difficult to get out of this situation.

  Sina Entertainment: Do you think your current transformation has been successful?

  Hu Ge: At least I made it out. It can’t be said to be unsuccessful. It still needs to be tested by the audience and the market, but at least I made it out.

  Sina Entertainment: Everyone knows that acting is a relatively passive chosen profession, so is it difficult to take this step? Hu Ge: Your mileage may vary, sometimes it is forced, sometimes it is active.

  Sina Entertainment: Many people think that male actors between the ages of 30 and 35 have to transform. Do you think transformation is necessary?

  Hu Ge: Not necessarily. Because if you can be an idol for a lifetime and have traffic and popularity for a lifetime, that is also a benefit. The key is how you see yourself.

  If I become an idol for a lifetime, I will only enjoy the halo of an idol, maybe not myself; but if you become an idol for a lifetime, you can continuously bring positive energy to those who like you, which is a good thing.

  Of course, some people prefer to immerse themselves in performance, and he prefers to be accomplished in art or creation, which is another way.

  But I don’t think there is a comparison, because it’s probably easier to take the first path before you’re 30. And after the age of 30, the first path may become more and more accurate.

  Sina Entertainment: As an actor, have you ever experienced the so-called midlife crisis?

  Hu Ge: Not yet. Because now I feel that I may not have really reached the stage of middle age. Of course, when I choose roles, I will deliberately avoid some roles such as my father. Maybe after I reach a certain age, only characters like my father will come to me, and when no other young characters come to me, I may have a crisis because I have no life experience. I have not become a father in my own life, so it may be a difficult thing for me to play a father, or to have a family in the play.

  Sina Entertainment: Now is the industry’s film and television winter, and many good actors will not be able to receive plays for a long time, including fewer and fewer better projects on the market. As a member of the industry, do you have any personal experience?

  Hu Ge: When winter comes, there are still many things to do. I think if filming is not to solve the problem of food and clothing, it doesn’t mean that if I don’t film, I will have no food to eat, and I will not be able to pay the rent. If there are no worries and concerns in this regard, I think when the cold winter comes, it is also a good time to maintain health, right?

  We can take the opportunity to let the original impulsive heart settle down. You can use this time to absorb and learn something new.

  Sina Entertainment: But some people may worry that if they don’t come out to film for a long time, they will be forgotten by the industry and the market.

  Hu Ge: Back to the topic just mentioned, which path do you choose? If you prefer the first path, there is indeed such a cruel reality. If you don’t appear in front of the public for a long time, your traffic popularity may drop significantly. But if you choose the second path, I don’t think it will have much impact.

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Andy Lau’s new film has been completed, which is as absolute as "The Journey Home"!


1905 movie network feature In the movie, the evacuation team took 326,713 steps to complete the difficult journey home; outside the big screen, some netizens sighed after watching the movie in the theater: just a front-row movie ticket will take you to experience the war of "Numia" immersively.



From the riddled city streets, the dilapidated refugee camp tents, to the endless desert, the jagged valley border station… How does the fictional North African war-torn country under the director’s lens realize the true landing on Chinese territory through setting the scene?


Not only "Return of Thousand Miles", but also the films that have just been completed, can they also successfully complete the "airborne" in an exotic country?



[Virtual]

From an entire embassy to a single foreign currency

20,000 square meter studio landscaping is difficult


A large part of the distant "North African countries" in "A Thousand Miles of Return" were born in the Oriental Movie Metropolis of Qingdao.The crowded market that Zong Dawei and Cheng Lang walked through, the checkpoint where they encountered the explosion, and of course the most important building in the movie, the Chinese Embassy, were all built in temporary locations in the park.



Making sure to film a realistic story about overseas evacuations in China became the most difficult challenge to overcome. The art team spent months collecting thousands of footage to build a prototype skeleton for this fictional Arab country.


No matter whether it is the capital Leptis or the small town of Sebrata, which has the most intense battlefield, unlike ordinary films, which only have relatively clear requirements for the setting of the exterior facade, "Return of Thousand Miles" not only needs to realize the series of multiple key scenes, but also sets clear standards for every detail of the interior and exterior.



The staff of the film and television service department of Oriental Movie Metropolis who participated in the setting of "The Way Home" introduced that the entire African town was built on the tarmac of the airport runway left by other films.


The entire building has more than 70 buildings and covers an area of more than 20,000 square meters. In order to pursue realism and restoration, the setting of the scene has put forward extremely high requirements on the shape of the entire environment. Thousands of real-life photos of Arab countries are one of the key reference materials. From the inside of the scene to the facade of the building, to every prop, from details to texture and texture, it needs to be completely consistent with the style of overseas countries.



The first impression of the overall vision is important, but there are countless details that are easily overlooked to support the "exotic feeling" of "Wanli Homecoming". During the four-month construction period, there is only one month left for the art props to perfect the details.


"Walking into the interior of Zhijing and carefully looking at every flyer on the wall, including graffiti and spray painting, they are not printed out and pasted directly, but the staff really painted it one by one according to the pictures and design drafts [provided by the art team]." Not only that, the crew also purchased various local living items from various overseas channels, even all the plastic bags, waste paper and fine food packaging scattered on the ground. The props that Zong Dawei and Cheng Lang often need to take out in the movie are also the top priority in the restoration process, and they must "make people see the sense of use at a glance" to pass the test.



Beyond that, vegetation is the key to making the city truly "alive."


It was not difficult for the crew to find coconut trees and palm trees, but it was the biggest test to keep the plants growing in tropical and subtropical broad-leaved forests evergreen in the temperate deciduous forest climate during the months of filming. But when more than 70 big trees really stood up on both sides of the street, "The Way Home" finally came one step closer to the real Arab country.



[Real]

North Africa, Europe, South East Asia…

The film industry grasps the sense of exotic atmosphere


It’s not just "The Way Home".byAndy LauThe starring role of "Moscow Action" has just been completed, and this movie has also completed an important railway scene shooting in the movie capital through setting the scene.



Before that, the leading comedy "Super Family" also moved the European-style mansion snow scene into the studio with the help of the setting work.


Nowadays, the setting industry’s ability to "combine the virtual and the real" is more mature. The interior details of the scene, special furnishings, and architectural "destructive" scenes that cannot be really shot on the outside are partially realized in the studio. At other times, the setting can also cooperate with the different customs of the shooting location, and realize the instant "airdrop" of different foreign lands such as North Africa, Europe, and South East Asia.



Rao Xiaozhi found Shizui Mountain in Yinchuan, Ningxia for the second half of the evacuation scene in "The Journey Home". The Gobi, the wind food sleeping in the desert, and the refugee camps and border checkpoints built in the Grand Canyon at the end of the film all restore the perils and dangers of the evacuation battlefield 1:1.


These seemingly disorderly settings integrated in the natural environment were actually more difficult than the standardized set. The producer of "Return from Miles" once revealed a detail: the filming of the camp scene required 2,000 tents. Compared with buying them, how to make them withstand the weather was the most challenging problem for the props group.



Nowadays, the industrialization of Chinese films in terms of setting has been very mature.


The staff of the film and television service department of the Oriental Movie Metropolis said that although it is the director’s choice to shoot overseas or domestically, in his opinion, considering the investment, time cost, personnel safety, communication, supporting facilities and other issues of outbound shooting, domestic setting is a better choice. With the development of the industry for many years, whether it is construction, art or some higher technical operations, with the later stage of the film, it is completely possible to achieve 1:1 restoration of any required scene in the shooting.


In this regard, in addition to Yinchuan, Ningxia, which is listed above, "Moscow Action" was transferred to Harbin after filming in the Qingdao shed; "Peacekeeping Riot Squad" chose to restore the scene of our country’s peacekeeping troops carrying out armed evacuation missions in Africa near Yintan, Beihai, Guangxi; and "Anti-Drug 3: Big Heaven and Big Earth" directly "moved" Thailand’s Golden Triangle villages over 50,000 square meters to Lau Fau Shan in Hong Kong. In addition, border cities such as Xishuangbanna, Yunnan have also become important filming cities for Chinese films to create a "sense of atmosphere" in South East Asia.



When talking about the experience of setting the scene, Wang Hongwei once lamented that China is one of the few countries that has the financial strength and production ability to shoot movies in a way that completely builds real scenes. In this sense, the market feedback on the visual effects of "The Way Home", as well as many films shot and presented in similar ways in the future, will become a new witness to the road of Chinese film industrialization.


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Game addiction is a disease? The standard of diagnosis is actually quite "strict"

  Game addiction is a disease? Recently, a news from the World Health Assembly has sparked heated public opinion.

  At the 72nd World Health Assembly held in Geneva, Switzerland not long ago, the 11th Revision of the International Classification of Diseases (ICD-11) was adopted. Among them, "game disorder", as a disease, is included in the classification of "disorder caused by addictive behavior".

  Equating game barriers and game addiction with diseases has caused controversy all over the world. There are some supporters waving flags and shouting, and the opponents with clear-cut flags are equally huge. Why do game obstacles become diseases? How to treat it? Discussions around these topics are still going on.

  Not even playing for a few days is sick.

  To what extent do you become addicted to games? The standard of diagnosis is actually quite "strict".

  In ICD-11, the identification of "game obstacles" mainly includes three behavior modes: the control over game behavior is weakened; The priority of playing games is higher than daily life and other normal hobbies; Despite the negative consequences, continuing to play games has caused serious damage to individuals, families, society, education, work or other important fields. In addition, the above behavior patterns need to last for at least 12 months before they can be used as a basis for diagnosis.

  "Because the game has affected daily life and lasted for more than one year, only in this way can it belong to ‘ Sick ’ 。” In this regard, Hao Wei, one of the drafters of ICD-11 "Game Obstacles" and the deputy director of the Institute of Mental Health of the Second Xiangya Hospital in China, said that the so-called "Game Obstacles" are not even sick after playing games for several days in a row, but have a detailed diagnostic standard.

  This means that either playing games is a "game obstacle". Who has previously issued a document saying that research shows that only a small number of people who participate in digital or video game activities are affected by game obstacles. Dr Vladimir Pozdnyak, Department of Mental Health and Substance Abuse of WHO, also said, "Most people who play video games will not be affected by this obstacle, just as most people who drink alcohol will not be affected by ‘ Alcohol use disorder ’ Influence, but excessive use in certain circumstances will lead to adverse effects. "

  Nevertheless, why has the game alone become the target of public criticism? Behind the "game obstacle" is actually a response to people’s health concerns caused by electronic devices.

  WHO pointed out that the inclusion of "game barriers" in mental and behavioral disorders is aimed at solving a series of concerns about the impact of excessive use of electronic devices on public health. However, in the process of evaluating the existing evidence and research, the participating experts did not find enough evidence to include any technology-driven behavioral addiction such as "smartphone addiction".

  Comparatively speaking, the scientific research results of "game obstacles" are more abundant. Hao Wei said that medical research has found that game addiction has "withdrawal symptoms" similar to chemical addiction. For example, the brain images of some people who are addicted to games are similar to those who are addicted to chemical substances.

  Give priority to with psychotherapy.

  Since "game obstacle" is a disease, how should it be treated?

  Previously, there have been some treatment institutions for "internet addiction teenagers" in many places, and they have adopted extreme methods such as corporal punishment and electric shock to "treat", which has caused great controversy. Experts said that although WHO did not provide specific treatment guidance for "game barriers", for medical institutions, this move made relevant diagnosis and treatment well-founded. Health professionals can pay more attention to this obstacle and promote more research on the prevention and treatment of game obstacles.

  It is reported that in Beijing, Guangzhou and other places, some professional hospitals have carried out treatment and research on game obstacles.

  A few days ago, Beijing huilongguan hospital Behavioral Addiction Ward was officially opened, which is the first behavioral addiction treatment ward opened by public mental health medical institutions in China, and mainly treats patients with behavioral addiction such as game disorder and gambling disorder.

  Yang Kebing, deputy director of the hospital, said that the current treatment cycle of game addiction is 6 weeks — 8 weeks, divided into two stages. The treatment method is mainly psychotherapy, and there are 10 cognitive behavioral therapy modules, including interpersonal relationship management, family therapy, self-emotional management and so on. The first 4 weeks — In 6 weeks, patients should completely abstain from internet and mobile phones. During this period, the hospital will carry out outward bound training, and replace the game in various ways. For the next two weeks, patients were taught to use the internet healthily by limiting the use time.

  At present, the addiction ward is an open ward, which is equipped with a single bed, a writing desk, a sofa and green plants, and family members can also accompany the treatment. In the group therapy room, a mini KTV has been specially set up to help patients have fun outside the game.

  "If the patient seriously affects social interaction because of the game, he should go to the hospital for evaluation in time." Yang Fude, president of Beijing huilongguan hospital, said that the addiction ward can ensure the continuity of treatment, patients can easily build up the trust between doctors and patients with the help of fixed medical staff, and continuous evaluation can better follow up patients’ illness. At the same time, the hospital can provide more comprehensive treatment methods, which will help solve the problem with serious symptoms.

  Advocate healthy ways of playing games.

  Although it has been officially included in ICD-11, the "quarrel" around game addiction continues.

  Just after the adoption of the resolution, game organizations from Europe, North America and Australia, South Korea, South Africa, Brazil and other countries and regions jointly issued a statement, hoping that WHO could re-examine the resolution. The statement said: "‘ Game obstacle ’ It is not based on strong enough evidence, and it is not enough to be included in the most important standard of ICD. "

  Many practitioners in the game industry said that the key to game obstacles lies in "obstacles" rather than "games", so the positive role of games and the development achievements of the game industry should not be denied. At the same time, game companies should strengthen and improve the anti-addiction system of games, avoid teenagers’ excessive games, and create a healthy development space for the game industry.

  Some medical staff said that game obstacles are classified as mental illness, not to oppose games, but to oppose games that are harmful to physical and mental health. Medical institutions should help patients with game disorders get rid of out-of-control game behavior, establish a correct game use model, and regain sound social functions.

  "The key factor of game addiction is family education." A parent who once sent his children to an internet addiction rehabilitation institution said that the family should give their children enough love and attention, accompany them to grow up, guide them to play rationally, and help them enhance their ability to resist setbacks in the process of growing up.